Tag Archives: zine

SAMPLEX Originalis

dancemaid
"Dancemaid" by Gabriel Thy
samplex

SAMPLEX IS THE NAME of the street zine I created and distributed among a certain fan base of Washington DC provocateurs and poseurs in the region's seminal punk and harDCore music scene of 1984-1985. This ludicrous body of half-wit scoundrels, pontificants and prevaricators worked the clubs between Seventh & E Streets and Ninth Street, from "d.c. space" to the "9:30 Club" where fame was chased and fame was made. The 'zine ran eight issues, individually themed, issues which were filled not with the usual confabulated local band lore and raw music sycophancy, but WS Burroughs-inspired cut-ups and collage, cartoons, and other riffs and ripoffs mostly poking fun at the scene itself right from the center of all its purported mayhem, and only the occasional invented or imaginary interview. Each issue consisted of 8-12 pages of tri-folded & heavily stapled panels printed on both sides of 8.5"x14" paper, and xeroxed wherever I could "borrow" a copying machine to print out 50-100 copies each issue. That's a lot of FREE or nearly free xeroxing.

This SAMPLEX blog is in honor of those earliest days of brutal self-punishing self-publishing. New stripes, but the sound, the fury, the beat go on...

PS: Look for reproductions of some of the original SAMPLEX pages here, later, as we post them.

New Rag For Dirty Boots On Shiny Floors In The Grand Old FlatIron Building

aboriginal
Troubling Were The days
samplex

Date: Tue, 5 Aug 1997 00:24:22

Hey Tom, I snagged your E-mail address from Landry who'd sent me the message below. My address is 109 Eighteenth Street. I look forward to a sample copy of your zine. If you are indeed looking for contributors I no doubt will consider it, but just to keep us both honest and smog-free I'll reserve that decision until I know more about the work.

Meanwhile good luck, and thanks in advance for the sample. I'll let you know when it gets here. Feel free to put me on any E-mail list you may operate, although I must admit I've cut way back on my idle chat as I continue work on my website in an attempt to bring forth a new rag for dirty boots on shiny floors in the Grand Old Flatiron Building.

What are your plans for a web presence, if any? Those ulterior motives I mentioned? I'd like to collaborate with you, or at least curry permission to publish some if not all of RABBLE REVIEW on the web. As I mentioned above I am carving up my own web interests into two different domains, the iMotedotcom site where I'll advertise my web design solutions in hopes to ease my wife's heavy financial load after she has supported me in my folly for some time now, and a brand new subsidiary The Scenewash Project. This is where art and politics merge to suggest what little vitality I have left is emphatically informed by the past, and yet is still scratching and aiming for the contaminated future as we prepare for the great and terrible day of economic and environmental collapse all manner of folk have predicted with x's and o's, and have yearned to bring forth with great bowel movements to and fro...

Are you familiar with the Situationists? An acquaintance of mine, Len Bracken has just written a book, published by Feral House, on Guy Debord, one of the primary movers and shakers of that huffin puffin revolutionary crew which gained mild support and slightly greater notoriety in the 1950s and Sixties with their admonishments of NO WORK, ALL PLAY, culminating in the May '68 Paris Revolt. I won't pretend to sum up the Situationist International (SI) for you if'n you're unfamiliar with them, although after one issue of the RR, I CAN say that you should certainly sniff out the trail which leads to Debord, Vanegeim, et al—right up your alley, I'd surmise.

Peace, opposing thumbs, and a beggarman's blisters...

Gabriel